photosequence: shihan Ishikawa at about 35 years of age
kaisetsu: shihan Ishikawa at about 35 years of age
Move:
1
Technique:
preperation
Tachikata:
shizentai
Objective:
cleanse your mind of any thoughts or emotions. Ready for action.
Note:
have the knees bend and soft, don't lock them.
Move:
2
Technique:
hidari jodan soto uke - migi jodan kamaete
Tachikata:
mahanmi neko ashi dachi
Objective:
isolate the use of downward gravity, while doing a sideway defense.
Note:
Move straigt down. Drop the body. therefore, mahanmi neko ashi is used. Don't think of lowering the waist, rather think of "unblocking" the knee. Hiza no nuki.
The right arm functions as kamae and should be ready to react to any movement.
strike high and remain "low" with the body. punch with the whole body and withdraw the left foot with the whole body
Note:
smoothly do these continous movements, do not rush them. don't move the head.
Kaisetsu:
from tettsui otoshi uke, grab the last chudan attack and counter with tettsui uchi
Move:
5
Technique:
identical to move 2
Tachikata:
Objective:
Note:
don't lower the left arm.
Kaisetsu:
Move:
6
Technique:
identical to move 3
Tachikata:
Objective:
Note:
right palm faces the left cheek
Kaisetsu:
Move:
7
Technique:
identical to move 4
Tachikata:
Objective:
Note:
attack the temple
Kaisetsu:
Move:
8-1
Technique:
kamae
Tachikata:
migi hanmi shizentai
Objective:
intermediate preparing for next movement
Note:
lower the right arm, withdraw the right leg and change the direction of looking. in kushanku move 50 is it done without this intermediate.
Kaisetsu:
Move:
8-2
Technique:
jodan soto uke - chudan yokogeri
Tachikata:
stand on the left leg, stand with the body.
Objective:
simultaneous movement
Note:
left fist remains
Kaisetsu:
defend from jodan zuki with soto uke and couter using yoko geri simultaneously
Move:
9
Technique:
jodan shuto uke
Tachikata:
mahanmi neko ashi dachi
Objective:
remaining gravity centre, emphasise the jodan shuto defense. change of enbusen should be emphasised when movement and change occurs simultaneously, like pinan sandan / godan move 1.
Note:
take care where you put the right foot after kicking. make sure to be able to switch to mahanmi neko ashi dachi without moving the centre of gravity.
Kaisetsu:
defend from jodan zuki
Move:
10
Technique:
jodan shuto uke
Tachikata:
mahanmi neko ashi dachi
Objective:
practise of forward movement and jodan shuto uke
Note:
make sure the neko ashi points straight forward
Kaisetsu:
as the opponent moves back, follow and defend from jodan zuki as the opponent attacks again.
Move:
11
Technique:
jodan shuto uke
Tachikata:
mahanmi neko ashi dachi
Objective:
practise of forward movement and jodan shuto uke
Note:
the defense should be in harmony with the bodymovement
Kaisetsu:
as the opponent moves back, follow and defend from jodan zuki as the opponent attacks again.
use the shuto kamae for shuto attack. (all open hand techniques are called shuto)
Note:
move the nukite in a straight line from the kamae
Kaisetsu:
as the opponent moves back, follow and counter with nukite
Move:
13
Technique:
jodan shuto uke
Tachikata:
mahanmi neko ashi dachi
Objective:
practise of turning movement and jodan shuto uke (using the front foot as a pivot)
Note:
don't forget to imagine your opponent and be ready to use the shuto kamae for any attack, or defense
Kaisetsu:
defend from jodan zuki
Move:
14
Technique:
jodan shuto uke
Tachikata:
mahanmi neko ashi dachi
Objective:
the first part of this kata, including the "moving back" part are the keypoints of this kata. However, the rest of the kata focusses on correct use of jodan shuto uke
Note:
forward mahanmi use suggests irimi, nagashi and kuzushi
Kaisetsu:
defend from jodan zuki
Move:
15
Technique:
jodan shuto uke
Tachikata:
mahanmi neko ashi dachi
Objective:
repeat correct shuto. (using the back foot as a pivot)
Note:
the hidari shuto should be kamae lightly touching suigetsu
Kaisetsu:
defend from jodan zuki
Move:
16
Technique:
jodan shuto uke
Tachikata:
mahanmi neko ashi dachi
Objective:
repeat.
Note:
correct shuto occurs from the elbow (hiji) not by the shuto itself
Kaisetsu:
defend from jodan zuki
Move:
17
Technique:
gyaku jodan soto uke
Tachikata:
gyakuzuki dachi
Objective:
change of seichusen, this is nagashi/taisabaki
Note:
from the previous shuto, if attacked, the body is moved off seichusen creating a new one on the next enbusen.
Kaisetsu:
defend from jodan zuki
Move:
18-1
Technique:
chudan maegeri
Tachikata:
stand on leg, stand with the whole body
Objective:
Follow the opponent who is retreating.
Note:
take care remaining the same height.
Kaisetsu:
counter the opponent using maegeri
Move:
18-2
Technique:
chudan gyakuzuki
Tachikata:
gyakuzuki dachi
Objective:
use the kette to add power to the gyakuzuki
Note:
after kicking in the centre with maegeri, make sure to not put it straight down, as the stance will become to narrow.
Kaisetsu:
attack suigetsu with gyakuzuki
Move:
19
Technique:
gyaku jodan soto uke
Tachikata:
gyakuzuki dachi
Objective:
nagashi practise
Note:
slightly rotate the upperbody, to assist the idea of nagashi/taisabaki.
Kaisetsu:
defend from jodan zuki
Move:
20-1
Technique:
chudan maegeri
Tachikata:
like move 18-1
Objective:
Note:
Kaisetsu:
Move:
20-2
Technique:
chudan gyakuzuki
Tachikata:
like move 18-2
Objective:
Note:
Kaisetsu:
Move:
21
Technique:
morote uke
Tachikata:
zenkutsu dachi
Objective:
change from gyakuzuki dachi to junzuki dachi, thus 'pressing' forward
Note:
if you extend the fingers of the left fist, it should just touch the right elbow
Kaisetsu:
defend from jodan zuki
Move:
22
Technique:
gedan barai
Tachikata:
zenkutsu dachi
Objective:
shift of the body and the gedan defense. Like move 4 in pinan nidan
Note:
make sure to turn the whole body far enough (225) to make sure the whole body can actually turn completely, to do a correct defense
Kaisetsu:
defend from chudan maegeri
Move:
23
Technique:
jodan uke
Tachikata:
zenkutsu dachi
Objective:
practise of fundamental movement
Note:
keep looking straight ahead
Kaisetsu:
defend from jodan zuki
Move:
24
Technique:
gedan barai
Tachikata:
zenkutsu dachi
Objective:
shift of the body and the gedan defense. Like move 4 in pinan nidan
Note:
again, use the whole body. don´t lookt down as you turn